I think this is particularly relevant in the area of creativity. 1977 ging er nach San Francisco, wo er acht Jahre lang für Ruth Bernhard arbeitete, die für ihn zu einem maßgeblichen Einfluss wurde. I don’t recall where I first encountered his photos, but, although they were not the street photography I was attracted to at first, they struck a chord. I finally got to do this in 2001 and have been back six times since then. Kenna's compositions are minimalistic by nature with very clear subjects. Today, Michael is represented by at least 20 galleries in Asia, Australia, Europe, and the United States with an average of 14 one-person shows each year. MK: Digital and computer technology really hasn't changed the way that I do things. The buildings are reduced to simple rigid shapes and it's difficult to recognize the buildings and estimate the scale. The subject of over 20 books and hundreds of solo exhibitions throughout Asia, Australia, Europe and the United States, Michael Kenna often works at dawn or during the night. Washi Japan, 2020 River Po Italy, … 4,391 talking about this. Michael Kenna: There are many characteristics associated with night photography that make it fascinating. CG: Lets talk about your book, Impossible to Forget: Nazi Camps Fifty Years After, with 110 photographs. The tonal range of the main visual interests is processed such that they're at the two extremes with minimal detail. Michael Kenna est un photographe anglais amateur de noir et blanc. This is one of his primary compositional elements, and looking at a collection of his work, even the one in this exhibition (which contained about 40 photos), it’s clear how he uses this technique. Middle grey flows from the bottom center of the photo all the way to the top third of the photo, finally connecting the sky using the building in the distance. Consequently, there actually isn't much contrast in texture. I photographed the pastoral landscape of the Cotswalds in England, gondolas in Venice and exquisite gardens around Paris. You enter your darkroom. Seine bildnerischen, grafischen und zugleich handwerklichen Meisterstücke werden in mehr als 100 Museen und Ausstellungen weltweit gezeigt. These shadows can invite us to imagine what is hidden. When I saw, a few years later, a fellow student's photograph of a mountain of shaving brushes from Auschwitz, I was completely overwhelmed by the knowledge that remains of this mass murder were still visible. Michael creates dream-like scenes by combining innovative and traditional photographic techniques. JK: Tell me about the new book. “Michael Kenna's quiet approach to the environment provides a glimpse into the provocative and subtle serenity of landscape photography. See available photographs, prints and multiples, and works on paper for sale and learn about the artist. MK: I cannot remember when I said that but the comment probably refers to my general view of life, which is to go with the flow. Some of the camps in the former East Bloc, such as Birkenau and Lublin-Majdanek had undergone little renovation when I first visited and their atmospheres seemed all the more powerful. MK: I donated the concentration camp work, all 6,000 negatives with their copyright and reproduction rights, to what I considered to be a relevant and appropriate institution, the Patrimoine photographique in Paris. Rhythm: Similar to the ones above, there is a rhythm in this piece in the form of contrast. As in Japanese haiku poetry, I also try to emphasize suggestion rather than description. Some critics said that it was wholly inappropriate for aesthetic interpretations to be made from such horrific subject matter. There are many forms of contrast in visual arts such as tonal contrast, color contrast, textural contrast, etc. This will be more evident in the examples. Namyeong Lion Rock, Mongdol Beach, Jeollanam-do, South Korea. The combination of lines forms geometric shapes. So powerful that my first photography book is The Rouge, a signed copy of it. MK: It’s called Easter Island and is published by Nazraeli Press. There is a deep sense of history and intimacy in its terrain. The tones alternate between light and dark throughout the entire photo. Michael Kenna is one of the most popular and influential landscape photographers of the last 50 years. Michael Kenna, Weston Gallery, Carmel, California, U.S.A. Rafu and Oiseaux. « Je préfère le pouvoir de la suggestion à celui de la description.En … These places are potent with tragic memory and loss, and I tried to record and interpret all that I saw and felt. Il est particulièrement connu pour ses images de l'Asie, où il a voyagé dans certains des plus beaux endroits du monde. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. Oct 12, 2015 - Explore sam townsend's board "Michael Kenna", followed by 122 people on Pinterest. Michael Kenna : Les photographies de Michael Kenna donnent à voir un monde presque évanescent. This is one of his primary compositional elements, and looking at a collection of his work, even the one in this exhibition (which contained about 40 photos), it’s clear how he uses this technique. CG: You donated 300 original prints and their black and white negatives. Michael Kenna is one of the most popular and influential landscape photographers of the last 50 years. Contrast: What I love really about this photo is the contrast. When I first learned, as a schoolboy in England, that eleven million people had been rounded up and subject to industrialized slaughter right in the middle of Europe, I found it impossible to comprehend. From the Cityscapes series . Er nutzt traditionell analoge Technik auf Film. As a result, the smooth textureless circular shapes juxtapose perfectly with the rigid and textured triangular shapes, creating a feeling of balance. Michael Kenna (born 1953) is an English photographer best known for his unusual black & white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. Rhythm is created through contrast from the bottom right corner to the top left corner (dark, light, dark, light, dark). Text by Michael Kenna. Il laisse une part importante à l’imprévu, et aux accidents photographiques. For a large majority of Kenna's photos, the tonal range of the entire photo lies on the two extremes. His pieces feature distinguishable shapes with strong identifiable outlines. Usually I take the Michael Kenna Bibliothèque nationale de France (BnF) Cette exposition virtuelle de la BnF présente l'oeuvre du photographe Michael Kenna. A couple of years ago my daughter, Olivia, went to spend a summer in Argentina as an exchange student—our summer, their winter. Maître du paysage en noir et blanc, Michael Kenna est un photographe de renommée internationale, parmi les plus importants de sa génération. His books include Forms of Japan and Rouge, which is a study of the US industrial heartland. There's also a little fuzz on the edge of the triangle hedges, which is a nice juxtaposition to the strong shape of the triangle. Remains of the past are everywhere. In the right photo, numerous triangles are formed by the cylindrical sloped towers, which are further accentuated by post-processing the shadows extra dark. We recently had a Michael Kenna Photography Facebook fan page put up and there are now about 14,000 fans. Japan has been a perfect place to explore these themes. In 1953, Michael Kenna was born in Lancashire, England, into an Irish Catholic family. In this post, I'll be dissecting Kenna's photos, explaining why his I think his photos work, how it's done, and finally, show some of my attempts at incorporating his aesthetics into my photography. See more ideas about Black and white landscape, Michael, Landscape photography. There's also the juxtaposition of the curved freeform land against the ordered and rigid sea structure. Large Prints. The results are soft, stark, enigmatic views of gardens, industrial sites, land, and seascapes from around the world. I don’t recall where I first encountered his photos, but, although they were not the street photography I was attracted to at first, they struck a chord. MK: One evening I was staying in a friend's house just outside of London - the very place that I had lived for three years when I was studying at the London College of Printing. I believe it is most unwise to think that we have much control over events and people. Their mission as part of the French ministry of culture is to promulgate the photographic estates of various (usually French) photographers whose work is relevant to the French state. Plans can be made, of course, but we should be flexible enough to respond to whatever is put in front of us. What has been the response in these countries? There was a lot of controversy over this exhibition, particularly directed at the third section. There's absolutely no detail in the sky or snow, which warps the viewers' perception of depth. I cut out frames from the contact proofs and further edit before going into the darkroom to work on an enlarged print. Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. The textured and light road contrasts the textureless less and dark triangles, creating a pleasant feeling of balance (as you can probably tell, we can see a recurring pattern with how Kenna processes and handles contrast). With the help on ethereal light, Kenna is able to photograph his atypical landscapes at night and dawn. I needed to see for myself. In comparison, the dramatic clouds contrast the rest of the photo with its inconsistent middle grey tone. I believe that part of my early motivation for photographing the camps was an attempt to process what I found unfathomable: the darkness and evil that seems to exist within human nature. Texts by Michael Kenna and Daido Moriyama. Michael Kenna Photography is on Facebook. Now to Michael Kenna. Michael creates dream-like scenes by combining innovative and traditional photographic techniques. I look for an emotional response in all of this work. Michael Kenna looks for simplicity in his composition, moving closer or framing the subjects to get rid of extraneous objects. In many cases, it's used to bring focus and create a movement to the main subject. Michael is equally dedicated to the darkroom and makes his own prints ensuring a subdued, intimate atmosphere in every image. Quelle est la cote d’un artiste sur le marché de l’art ? Others were concerned that my work made the camps "beautiful." His images are simple and quiet, empty but for the bare minimum of visual elements. I've been a long time fan of Michael Kenna and spent time analyzing his composition and post-processing techniques. Michael Kenna gilt als einer der renommiertesten Landschaftsfotografen der Gegenwart. I was not comfortable with the criticisms but at the same time I was greatly encouraged that the exhibitions were extremely well attended and people were emotionally engaged. What does this mean? I witnessed many changes in the camps over the twelve years that I photographed; rusty barbed wire was replaced, buildings reconstructed, barriers were erected to protect fragile sites, etc. About Michael Kenna. Apart from understanding the compositional techniques and elements, there are a few other key points we can take away from Michael Kenna: Of course, the only way to get better is through practicing with intention. From the Cityscapes series . Who received this donation and why? Es ist wie mit der klassischen Musik, wunderschön, aber ich kann sie nicht selber spielen mangels Talent. Michael Kenna : A 20 Year Retrospective Michael Kenna : A 20 Year Retrospective, de Michael Kenna, Peter C. Bunnell, Ruth Bernhard. I imagined that Brassaï might have done the same thing when he was photographing along the Seine in Paris. MK: When I began to photograph the Nazi concentration camps in the mid-eighties it was with mixed emotions. It's really hard to tell what the black subject is - it could be a black cover over a fixture, a freshly cut hedge, or really just a sculpture. CG: Michael, You return from a trip with many rolls of film to process. In photography, it’s not difficult to reach a technical level where you don’t need to think about the technique any more. Issu d'une famille d'origine irlandaise, Michael Kenna est né en I first photographed Japan in 1987 when I visited Kyoto, Nara, Kamakura and some other cities but my dream was always to explore the landscape. Embrace minimalism Minimalism is the key word … Michael Kenna is no doubt a contemporary master at photography. When photographing I probably average about 10-15 rolls of 120 film each day, which adds up after a few weeks. From the Miscellaneous series . "Dans tout mon travail, il y a un thème sous-jacent qui est celui de la mémoire, du temps, du changement." Michael Kenna … Drama is usually increased with the resulting deep shadows from artificial lights. There's another form of contrast that's more accurately termed as juxtaposition, which is the contrast created by the placement of two objects. I did this because I believe it was the right thing to do. So powerful that my first photography book is The Rouge, a signed copy of it. Text by Michael Kenna. To complement, Kenna added rhythm in contrast through post-processing. I don't have anything against social media but I find my days are already full, and I can't even keep up with emails, so I haven't, and probably will not, embrace further [online] socializing. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. N'hésitez donc pas à parcourir notre large répertoire de livres. Just like rhythm is important in music, rhythm is equally important in visual arts. Michael Kenna is a British photographer best known for his black-and-white images of unpopulated landscapes and urban scenes. Having said that, I must admit that I am personally not a great fan of digital manipulation because I think it breaks down the essential link between photography and reality. MK: I often use Pictorialist devices in order to simplify a scene and engage the focus of a viewer. Michael Kenna, Tracks 100 to 117, Grand Central Station, New York, New York, USA, 2000. In spite of his busy schedule, Michael generously agreed to this interview. New Ideal Photography. An aspect of my work relates to memory and time. View Michael Kenna’s 887 artworks on artnet. Edition of 45 Michael Kenna Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015 Michael Kenna, Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015. Michael Kenna : images of the seventh day 1974-2009. View Michael Kenna’s 887 artworks on artnet. Tension is created by splitting the large triangle in the center by the two cylindrical buildings. Texts by Michael Kenna and Daido Moriyama. 2013 Shinan. Kenna doesn’t plan schedules or visualize the images beforehand, he takes what he gets and finds. My response was that I see the world in a certain way and that it would be hypocritical, if not impossible, for me to adopt a different way of working for this subject matter. Tell me about this print and its title. Ausstellungen, Lesungen und Signierstunden auf allen Kontinenten stehen in seinem dicht gefüllten Kalender. I feel drawn to the interaction between the water and earth in Japan. We can see the tones alternate from dark to light to dark from top to down. His photographs suggest contemplation and a poetic vision. The stark white lines are not only the main subjects but they also act as a guide for eye movement across the photo. He has many pieces where the entire photo simply showcases an elegant line. Writers have described his photographs as romantic, surreal, haunting, and jewel-like. Other times, there are a handful of lines that juxtapose each other resulting contrast or complement each other. In the next few sections, we'll explore some of the compositional techniques Kenna uses to achieve his minimalistic look. Join Facebook to connect with Michael Kenna Photography and others you may know. I have not processed my own film for many years and instead prefer to send them out to a reputable lab and keep my fingers crossed. In this article, I will discuss Michael Kenna’s use of leading lines. I have been able to come up with some reasons why I think I did the work on the holocaust, but after hearing the comments expressed by these survivors, those reasons now seem fairly insignificant. Lines: This is one of my favorite pieces of Kenna. Although it was by far the hardest subject I have photographed, I believe at this point it is the work I am most proud of. Additionally, there's strong repetition in the sea structure. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. Drama is usually increased with the resulting deep shadows from artificial lights. The Rouge, by, and autographed Michael Kenna . Michael Kenna est célèbre pour ses paysages naturels et industriels mystérieux en noir et blanc. In the case of Michael Kenna, he uses lines, shapes, and tones to create a rhythm for his pieces. Michael Kenna. I have traveled from the north of Hokkaido to the southern islands of Okinawa, and much in between. November 20 - December 19. In London, Michael undertook advertising photography while pursuing his personal work - photographing the landscape. The way he achieves this is by framing the photo to include limited number elements and using clear and obvious compositional techniques. His unique minimalist imagery has inspired many, and earned him a huge and loyal following. Is this your intent? CG: In one of your books, you wrote, "I feel closer to the elements when I photograph at night, close to nature because I have to watch." From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. Shapes: I love the usage of shapes in this photo. Retrospective (fr-angl), Anne Biroleau, Bibliothèque Nationale De France. Seine Studien an der Banbury School of Art und dem London College of Printing schloss er 1976 mit Auszeichnung ab. La présence humaine s’y inscrit en creux, d’une manière étrange, fantomatique. Michael was born in Widnes, Cheshire, in 1953 and discovered photography at art school. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. If you're interested in more Michael Kenna analysis, there are two other videos on YouTube that I recommend watching - one by Photo Tom and the other by Ted Forbes. About Michael Kenna. The Rouge, by, and autographed Michael Kenna . « Dans tout mon travail, dit Michael Kenna il y a un thème sous-jacent qui est celui de la mémoire, du temps, du changement, des atmosphères qui semblent liées aux lieux. Together, this photo exhibits incredible balance and produces a feeling serenity and peace. Did you have concerns about possibly objectifying the camps by making photographs of them into works of art and thereby altering the camps' terrifying reality? Michael Kenna Quixote's Giants, Study 5 / Les Géants de Don Quichotte, étude 5 Rhythm: Rhythm occurs twice here in this piece. CG: Michael, You return from a trip with many rolls of film to process. Es sin überwiegend Landschafts- und ein paar Architekturfotografien aus unterschiedlichen Ländern.Beeindruckender Umgang mit … CG: Much of your work has historical precedence in early Pictorialism with its smokiness, mists, and softness that evoke an emotional response. CG: Michael, You return from a trip with many rolls of film to process. The aspect of unpredictability inherent with night exposures can also be a good antidote for previsualization. To experience natural phenomena and to be able to record unrepeatable moments in time is a great part of the attraction I feel to photography. 2018. Gallery Art Unlimited, Tokyo, Japan. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. Water may become a sea of mist or the geometry of human intervention contrasted with a wispy cloud-filled sky. In comparison, similar to how Kenna uses lines, shapes in Kenna's compositions are often the center of the piece. Thus, a beautiful juxtaposition is formed between the rigid and strong towers against the smooth and soft looking smoke, giving off a similar feeling of mystery and ominousness. I attended the opening and had the good fortune to meet and talk with a number of survivors. L’édition Nazraeli Press on publie « Michael Kenna : A 20 Year Retrospective » dans un format plus grand que les éditions précédentes, avec des imprimés de haute fidélité tritones 1:1 à partir de tirages originaux. Weightlifter and photographer by hobby. Rétrospective, Edition bilingue français-anglais, Michael Kenna. Circular and oval-like shapes dominate the top half of the photo. For example, in an article in Le Monde, Claude Lanzmann criticized the fact that there was no distinction made between Concentration Camps and Death Camps. After further study in London, he worked as a commercial photographer and printer before relocating to the USA. I approached the camps with reverence, respect and much trepidation. Japan / Buddha exhibition. Kenna's compositions are minimalistic by nature with very clear subjects. In this section, we'll dissect some photos by Kenna to analyze the composition and discuss why the photo works and how Kenna created it. However, in this one, the black sculpture (at least I think it's a sculpture) is the main focus of the photo, and everything else leads to the sculpture.
31 photographs.2011 Philosopher’s Tree. And he mainly uses Hasselblad medium format and Holga cameras, accounting for the square format of most of his photographs. Michael Kenna ist einer der Grossmeister der Schwarzweissfotografie. After further study in London, he worked as a commercial photographer and printer before relocating to the USA. However, in Kenna's pieces, the lines are the subject and the focus. When Michael Kenna was a boy growing up in the small industrial town of Widnes, England, he hid pieces of paper around his house, his neighborhood and the local park. Indeed my first night photograph, made in 1977 of a set of swings in upstate New York, was a direct consequence of not being able to sleep. The glass can always be perceived as half empty or half full and I try as much as possible to choose the latter. From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. I'm not sure what it all means, though! My home country of England has many similarities. Michael Kenna is one of the most influential landscape photographer of his generation, photographing for 50 years, best known for his black & white landscapes. Over the twelve years that I continued to photograph I have come to some conclusions but I still do not find them easy to articulate. Michael Kenna, Weston Gallery, Carmel, California, U.S.A. Rafu and Oiseaux. He combines traditional and latest photography techniques to create exotic scenes. Contrast: The contrast in this photo is consistent with the rest of Kenna's work. Film can accumulate light and record events that our eyes are incapable of seeing. I've been a long time fan of Michael Kenna and spent time analyzing his composition and post-processing techniques. Look through Kenna’s images and you can see he rarely shoots busy and chaotic scenes. We are used to working with a single light source, the sun, so multiple lights that come from an assortment of directions can be quite surreal, and theatrical. Michael was born in Widnes, Cheshire, in 1953 and discovered photography at art school. In addition, the lines act as dividers for the tonal range of the photo - middle grey is contained by the two white lines in the center of the photo and black is on the outside of the lines. Die Einsamkeit und Ruhe, die Michael Kennas Landschaftsaufnahmen so unverwechselbar machen, scheinen im Widerspruch zu seinem rastlosen Leben als Globetrotter zu stehen. Interview with Michael Kenna Rafu Japan, 2008-2018 Notre Dame France, 1987-2015 Birds. As a matter of fact, Kenna often intentionally removes much of texture of the elements in the photo but maintains a clear outline of the elements. It's also interesting to see that each of these regions start wide on the left side and converge to the right-center. The negative is raw material, which a skilled and creative printmaker can mold in a thousand different ways. Due to the extremely long exposure and wind, the smoke starts to take shape in the form of a cone and becomes textureless, contributing to the overall rhythm. The sky and the snow are processed such that they blend and have minimal detail, further emphasizing the lines. CG: Describe your recent travels, what you photographed, and why.
31 photographs.2011 Philosopher’s Tree. It was an exquisitely cold, winter's night. What's interesting in this photo is Kenna's use of middle grey. In general, shoot RAW, use as good a tripod and head as you can afford, and find some way to trip the camera remotely. Michael kenna - rétrospective par Anne Biroleau aux éditions Bibliothèque Nationale de France. Michael has also exhibited widely. I came away with the feeling that an acknowledgment of these atrocities somehow helps validate the pain and suffering of the victims. Please check "Upcoming" for future exhibitions, publications, book signings and lectures. He allows the scene to speak for itself and embraces a Zen-like approach to image making. We are used to working with a single light source, the sun, so multiple lights that come from an assortment of directions can be quite surreal, and theatrical. The bottom half of the photo consists of triangular shapes, processed such that there are details and contrast within the shape. Michael Kenna is arguably the most influential landscape photographer of his generation. Photographically there is enough subject matter to keep me going for at least a few more life times so I hope to be able to continue doing what I am doing for as long as possible. JK: Tell me about the new book. As a result, Kenna's photos demonstrate intense focus and minimalism, which produces a peaceful and zen feeling. CG: You once said "Much of my life seems to have followed a pattern of similar happenstance: Well, this happened, so it must be right. trial and error), with much bracketing. I hope you find this post helpful in keeping you mindful of compositions! Il est particulièrement connu pour ses images de l'Asie, où il a voyagé dans certains des plus beaux endroits du monde. Michael Kenna (born 1953) is an English photographer best known for his unusual black & white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. Et également Michael Kenna - rétrospective d'United States Golf Association, de Michael P. Kenna et de Michael Kenna ainsi que de Noël Jouenne édités par Taylor & Francis Ltd et Marval ainsi que Bibliothèque Nationale De France - Bnf. MK: I have spent the past couple of years wandering around Japan photographing and a book containing 95 of these images has just been published by Nazraeli Press. 2 sept. 2020 - Michael Kenna (1953-...) est un photographe britannique. I was extremely heartened by their warm and appreciative reception. Michael Kenna is a British photographer best known for his black-and-white images of unpopulated landscapes and urban scenes. But that's the beauty of it, the composition keeps you wondering and you really appreciate the shape. Here we can see that compositions could be beautifully simple, to the extent the entire composition is a line. 8 x 7½" toned gelatin silver print mounted and matted on 20 x 16" board. In 1953, Michael Kenna was born in Lancashire, England, into an Irish Catholic family. The way he achieves this is by framing the photo to include limited number elements and using clear and obvious compositional techniques. What next? Revised and expanded. Plotting a path from a to b, and then strictly adhering to it, might eventually get us to the goal, but perhaps at the expense of far more interesting material on either side. His work is in dozens of major permanent collections. The Briton, famed for his black-and-white landscapes, loves the plastic pocket camera for its unpredictability and the whimsical quality of the resulting photos CG: Many years ago, we purchased Homage to Brassaï Surrey, England, 1983 in a Friends of Photography promotion. Lastly, Kenna aggressively applies post-processing to reduce the rest of the clutter and unnecessary elements of the photo. Web Galleries RECENT PRINTS. He moved to San Francisco to work … Michael Kenna operates in monochrome and is a master at tonal contrast. Lines are fundamental composition elements used in all forms of visual art. I've included some of my attempts at incorporating these learnings into my photography. I felt like an outsider; I was not Jewish, none of my family had been materially affected by what had taken place in these horrific places, and I really could not understand my motivations for wanting to do this work. In 1977, he moved to San Francisco, where he met Ruth Bernhard and became her assistant and photographic printmaker for eight years. This is the way I'll go…." The photos are chronologically ordered with the most recent ones first. The results were very interesting and since then I've worked on my technique a little. In this post, I'll be dissecting Kenna's photos, explaining why his I think his photos work, how it's done, and finally, show some of my attempts at incorporating his aesthetics into my photography. I like John Lennon's line "Life is what happens when you're busy making other plans." Michael Kenna ist ein wirklich begnadeter Fotograf und seine Bilder und Sichtweise kommen mir sehr entgegen. Combien valent ses œuvres ? Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-white photographs. Le photographe-voyageur anglais bâtit une oeuvre consacrée au paysage, enclos dans le format de la miniature. See available photographs, prints and multiples, and works on paper for sale and learn about the artist. New Ideal Photography. Revised and expanded. I went out to photograph and did not return until after sunrise the following morning. Usually I take the I watch the water, the leaves on the trees, passing cars, changing shadows, smoke from chimneys, whatever is around. 2013 Shinan. The subject of over 20 books and hundreds of solo exhibitions throughout Asia, Australia, Europe and the United States, Michael Kenna often works at dawn or during the night. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . There were three sections to this exhibition: 1) photographs made during the time of the camps by the S.S., victims, bystanders, doctors, etc., 2) photographs made at the liberation of the camps, and 3) photographs made since then. As it was getting time to go to bed I noticed a rising mist from the River Thames, which was just visible from the window. His work is also available to the public via 18 books containing an astonishing quantity of reproductions: 130 images in Twenty Year Retrospective (1994), 60 in Le Notre's Gardens, (1999), 80 in Night Work (2000), 110 in Impossible to Forget (2001), 95 in Japan (2003), and so on. Michael Kenna, Tracks 100 to 117, Grand Central Station, New York, New York, USA, 2000. 8 x 7½" toned gelatin silver print mounted and matted on 20 x 16" board. There are many technical and aesthetic decisions to be made along the way, the sum of which make a print unique and very personal. I particularly like what happens with long exposures, for example, moving clouds produce unique areas of interesting density in the sky, stars and planes produce white lines, rough water transforms into ice or mist, etc. Wind, rain, mist, etc., all have effects on the eventual image. Michael has also exhibited widely. It is not so difficult for me to look back and trace my track, but I choose not to predict where my future path will lead. Michael Kenna est célèbre pour ses paysages naturels et industriels mystérieux en noir et blanc. Left: In the "Homage to Atget" series, Kenna photographs numerous fixtures in the Parc de Sceaux, which all exhibit distinguishable shapes. La Bibliothèque nationale de France consacre une exposition rétrospective au photographe anglais célèbre Michael Kenna, comportant deux cent dix tirages qui témoignent du style puissant et singulier, de la liberté de vision et de la perfection technique de ses tirages argentiques. Discover (and save!) Er achtet dennoch auf … Japan has been a perfect place to explore these themes. He only photographs his work in black and white, as he believes that, Check out more from this series at www.brightcove.com. MK: It’s called Easter Island and is published by Nazraeli Press. Nil Satis Nisi Optimum. The results are soft, stark, enigmatic views of gardens, industrial sites, land, and seascapes from around the world. Study 6: Kenna's series on the Ratcliffe Power Station is one of my favorite of his. Page : 3 Généré le 2020-05-10 à partir de https://data.bnf.fr/fr/13532428/michael_kenna/ Illustrateur (6) → L'impossible oubli les camps nazis cinquante après MICHAEL KENNA Seaweed Farms, Study 3, Xiapu, China (2010) Silver Gelatin Print 20cm x 20cm - Edition of 45 © Michael Kenna, Courtesy m97 gallery His unique minimalist imagery has inspired many, and earned him a huge and loyal following. I am extremely grateful for the opportunities I have had. Michael Kenna December 2001 Jim Kasson interviewed Michael Kenna at his home in San Francisco. I watch the sky and imagine what patterns the clouds and stars will make on my film. Sometimes it is a basic concern for security but at others it is a more meditational activity. Over the past 25 years I have also photographed industrial environments in North West England where I grew up, the Rouge steelworks in Detroit, coal and nuclear power stations, interiors of lace factories in France, a kindergarten classroom in San Francisco and Nazi concentration camps throughout Europe. Michael Kenna is arguably the most influential landscape photographer of his generation. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Nothing but the best is good enough. Rhythm, in short, is some form of repetition and order. He uses a lot of symmetry and rule of thirds but is not afraid to break rules if the composition calls for it. Much of the subject matter was similar: bridges, boats, embankments, and water. Both countries are surrounded by water, both have been lived in for many centuries, and both have been extensively worked and explored. Michael Kenna Technique(s) utilisée(s): photographie. And he mainly uses Hasselblad medium format and Holga cameras, accounting for the square format of most of his photographs. MK: When exposures last hours rather than fractions of a second, there is much time for watching. Through his photos and editing techniques, we can learn how to bring more focus to the main subjects and remove useless clutter in our own photos. Infrared and radio remotes are great, though some cameras are limited to cable releases. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. I find this shot incredibly impressive and creative since it's difficult to envision this type of final result when I'm just looking through the viewfinder. You returned numerous times to Auschwitz, Sachsenhausen, Dachau, Ravensbruck, Buchenwald and others. All the detail is processed out such that the sculpture seems flat and the viewer can only focus on the bizarre shape of the sculpture. In Europe these photographs were included as part of a much larger traveling exhibition titled "Memoire des Camps," organized by the Patrimoine photographique in Paris. Japan has been a perfect place to explore these themes. Städtische Galerie Iserlohn, 28.11.2014 – 22.02.2015. Et comment suivre l’évolution de la cote de ses tableaux, sculpture ou dessin ? Please let me know what you think, feedback is always welcome! Michael Kenna is regarded as one of the most accomplished photographers working today. I believe printmaking is a critical component of the photographic process and I will always try to do it myself. Share on Facebook Tweet Mail it The Lancashire-born master of minimalism has spent years honing his approach to landscapes. Kenna uses long exposure times and shoots in inclement weather to obscure the details of the vistas before him, instead emphasizing atmosphere, tonality, and form in his photographs. I am interested in how we interact with our environment and what we leave behind on the planet. The idea was to see how long he could wait before going to retrieve the notes. Minimalism is the key word when discussing Kenna’s work. I sometimes think that it is necessary to explore an area of interest in order to find out why it is interesting. To learn more about rhythm, this page has a concise and digestible explanation. What do you do to produce your final prints? We take a look at how he captures his unique vision of the world . With a grey tone, the building breaks up the black, allowing the grey from the bottom of the photo to flow freely into the sky, preventing the photo from feeling closed off. Il affectionne l’interprétation de ce qu’il voit ou de ce qu’il perçoit. Even if minimalistic pictures are not your desired style, I think there's still a lot one could learn from Michael Kenna. This is about as close to Kenna's style as I've come: As for technique, I don't do anything special for black and white. Grâce à quels critères objectifs déterminer la valeur d’un artiste ? Short profile on the photography and techniques of Michael Kenna. You wrote that you considered the camps "sites of contemplation." Michael Kenna est passionné par le voyage, et la nature. Embracing life right now, along with all its convolutions and complications, is incredibly exciting. January 2003. Here, we see that most of the subject is in the black and there's almost no detail in the rocks. MK: For the most part I have been using medium format cameras since the mid-eighties. Santé - Bien-être - Développement Personnel Cuisine et Vins Décoration - Jardinage - Bricolage Loisirs - Nature - Voyages. He is drawn to certain times of day and night, preferring to photograph in the mist, rain and snow clear blue sky and sunshine do not inspire him. Son oeuvre est prolifique et ses clichés de Paris réalisés depuis les années 1980 montrent une poésie et une finesse remarquable, nous emmenant parfois dans un rêve éveillé à travers les plus beaux parcs et lieux de Paris. The Briton, famed for his black-and-white landscapes, loves the plastic pocket camera for its unpredictability and the whimsical quality of the resulting photos It's okay to be aggressive with post-processing, Simplify the photos such that the subject is clear, Process intentionally to strengthen the subjects and compositional elements. Kenna was born in 1953 in Widnes, England. I have often emulated photographers that I particularly admire and I try to pay homage to them in titles for my own photographs. Techniques et Sciences Appliquées Sciences Fondamentales Management - Gestion - Entreprise Informatique Bien-être et Vie pratique. MK: I try not to think too much about the future. I happen to love the process of photography and am always thrilled to be out in the landscape or wherever it is I happen to be working. Michael Kenna studied from Upholland College, Lancashire, the London College of Printing and the Banbury School of Art, Oxfordshire. Photocrowd Posted on May 11, 2018 Share this post. Do you still do all your own processing and printing? I felt that in my own small way I could contribute to keeping the memory of these places alive - the desire expressed by so many victims and survivors. Study 36: In the left photo, a pleasing rhythm is created with repetitive cylindrical towers. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Right: The right piece uses similar techniques. The clouds creates additional juxtaposition of texture as they are the only elements in the photo that exhibit texture. From the Miscellaneous series . Often working at dawn or during the night, he has concentrated primarily on the interaction between the ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. Kenna was born in 1953 in Widnes, England. I believed that beauty was in escapist fiction - the mists of Turner or the romanticism of Blake. I like to photograph traces of our past activities and I try to reflect the atmospheres that remain. Ex calculus lover. Based on my past itinerary, I suspect the road ahead will be full of interesting twists, turns and diversions. Jan 2, 2014 - This Pin was discovered by Thomas Auriel. As a photographer I felt a sense of duty. Michael Kenna December 2001 Jim Kasson interviewed Michael Kenna at his home in San Francisco. In the left example, the primary focus is on the triangle hedges, supported by the leading line (or polygon) of the road. Michael Kenna is no doubt a contemporary master at photography. Kenna could've processed that grey building black (and I'm sure he tried it), but instead he chose to process it grey. The water and the sky are both darkened further to accentuate the rhythmic contrast. Michael Kenna – Retrospektive. Edition of 45 Michael Kenna Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015 Michael Kenna, Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015. At the time I used the "empirical method" of exposure measurement, (i.e. First, there is rhythm in the shape of the rocks - it alternates from tall to short. These photos inspire me to be intentional and aggressive with my editing, removing everything that doesn't contribute to the main focus of the image. He has a silent approach to photographing the environment, scenery, landscapes and anything around him. Contrast: Again, we see that Kenna processes this series aggressively such that the tonal range of the photos consists only of the two extreme ends. Kenna also employs this type of contrast in many of his photos, often in the form of lines, shape, and object association juxtaposition. I believe that the historical strength of photography has been its very tie to reality - it is one of the main characteristics that differentiates it from painting, drawing, sculpture, etc. Michael was born in 1953 in Widnes, Lancashire, in the industrial northwest of England and studied at the Banbury School of Art and the London College of Printing, graduating with distinction in 1976. CG: These photographs were exhibited in France, Italy, Spain, Switzerland, and the United States. I believe that artists should use whatever tools are appropriate for their vision so I am delighted that some photographers have embraced new technology and are using it for their creative endeavors. This book charts Kenna’s work in the field of architectural photography, showing how his approach to the built environment informs his style, whether he’s capturing natural or human-made structures. Recently, my photographs of the camps were exhibited at the Houston Holocaust Museum. I made two sets of 300 original prints, which I also donated. Rhythm: Similar to the previous photo, this one also has rhythm in contrast, alternating between relative light and dark. Michael Kenna looks for interesting compositions and arrangements within the natural landscape. Nothing wrong with that, but as time has progressed, my horizons have widened. As he photographs on a Hasselblad which has a square format, a vast number of his images are square. Lines: Kenna did an entire study series on these hillside fences, all of them with the strong lines formed by the fences as the main subjects. The triangular hedges and the rectangular lines formed by the ledges intersect at the sculpture, creating a natural flow. Software engineer by profession. Shoot Like Michael Kenna. your own Pins on Pinterest Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. Sur ses photos, Michael Kenna n’a … Je m'emploie à traiter des sujets qui permettent d'aborder ces thèmes.» I usually have two sets of contact prints made, one gets filed and the other I use to edit out images that look interesting. Ginza Fugestudo, Tokyo, Japan. Kenna was born in 1953 in Widnes, England. As a result, the photo feels ominous, foreign, and somewhat intimidating. Parmiggiani (Auteur), Michael Kenna (Auteur) 5 ( 1 ) Coups de cœur des libraires ( 1) Carte Fnac+ à 7,99€ … Carole Glauber: Does photographing at night change your way of thinking about what you are photographing? Michael Kenna exhibition. Buddhas. His books include Forms of Japan and Rouge, which is a study of the US industrial heartland. Michael Kenna's quiet approach to the environment provides a glimpse into the provocative and subtle serenity of landscape photography. Online shopping for Books from a great selection of Reference, Equipment, Color, Lighting, Darkroom & Processing, Flash Photography & more at everyday low prices. Des, rivages ou encore crêtes se découpant au lointain, la nature est nimbée de mystère dans des lumières diaphanes. In this article, I will discuss Michael Kenna’s use of leading lines. A couple of years ago my daughter, Olivia, went to spend a summer in Argentina as an exchange student—our summer, their winter. I find it helps with jet lag too! Ideas often come through the very process of working and we should be prepared to follow whatever clues arise. I think there is far too much literature and far too much emphasis upon the techniques of photography. In photography, it’s not difficult to reach a technical level where you don’t need to think about the technique any more. Nothing is ever the same twice and every moment in time is unique. Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. CG: How do you see yourself in the digital age? We live pretty fast-paced lives so it is a luxury to be able to slow down and better appreciate some of the more subtle effects of nature that we can so easily miss or take for granted. Die meist schwarzweißen Fotografien besitzen einen meditativen, poetischen Charakter. Now to Michael Kenna. I am greatly looking forward to seeing what is around the next corner. I think there is far too much literature and far too much emphasis upon the techniques of photography. When I started out it was with the assumption that art was essentially the search for beauty, and my definition of beauty was strictly limited. This type of rhythm is a recurring theme with Kenna's photo and can be seen consistently in his works. Contrast: Kenna processes his photos to the extremes of the tonal range. So muss ich sie mir vorführen lassen, wie auch all die herrlichen Fotos, die ich nicht selber im Stande bin zu realisieren. More commonly, shapes are often implied in the composition to bring focus or to frame other subjects. Michael Kenna: There are many characteristics associated with night photography that make it fascinating. I am quite content to continue with the equipment I am used to. What are you watching? He would write his name, the date and some observation to come back to. Lastly, Kenna aggressively applies post-processing to reduce the rest of the clutter and unnecessary elements of the photo.